#hindi moral stories for children | Explore Tumblr posts and blogs

miniherodesktales · 19 days ago

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I'm on vacation at the moment, so decided to look up the Biggles series for the first time, since it is referenced in Red Dwarf and other shows in the UK. I have an interest in children's lietrature and how it's changed over the time.

Prior to this I knew nothing about them. Just hearing the name Biggles gave me the impression that maybe they were quaint Enid Bylton / Famous Five - esq tales. Or maybe like the TinTin adventures. (plus just assumed - accurately - there would outdated themes. There is outdated language and attitudes. I wasn't surprised to hear about that.)

However, going by the GoodRead reviews I was surprised to see that they didn't glamourise war at all. They were gritty and dark, with death being a constant theme. Later reprints removed swearing and references to alcohol; for example, whisky is swapped out for lemonade. (war is ok but underage drinking? No thanks!)

So what's the story?

James Bigglesworth (the names will never not be funny) is a 16 year old, born and raised in India to civil servant parents, fluent in Hindi and Latin with a preference for writing in Hindi.

The first world war begins and James lies about being 17, so he joins the RAF a year underage.

Like so many airmen of the time he receives just a few hours instruction before he's made to fly solo. With only 15 hours of practise he's posted to France.

He sees a few colleagues killed - very quickly - and has many near misses himself. The experience turns him into a jumpy and jaded teenager, smoking and drinking to cope. Later in the series he grows into a cool and calm leader.

The initial books drew on the author's own experience of the war, and contains many accurate details about aviation and the development of its technology. The later books move towards more "adventure".

Anyway, the real reason for this post is that it's easy to see some of Ace in all this - obviously Ace is a mix of different popular heoros - but anyway I think it's easy to see how Rimmer may have shaped this persona built on what he was reading as a kid.

We don't see much of Io in the series, but as discussed before it gives off strong space imperialism vibes and a very suffocating conservative culture.

Rimmer's parents had a very clear plan for what they wanted his life to be like - the plan was that he would be a test pilot like his big brother, John.

I also think the references to Biggles provides a small hint at the conflict in Rimmer's personality. He can be very cowardly when he overthinks a situation, but then brave in other situations. Like shooing away the polymorph from Kryten. He idolises war and successful strategists but is also disgusted when he sees the consequences of fasicism happening right of him. His future self lost his morals as he rubbed shoulders with some of histories worst people, but his present day self was willing to die to avoid becoming that version of himself.

Deep down Rimmer would rather be Biggles than Napoleon, but having courage and morals is built on self-worth and self-confidence, and his parents never gave him those things. However, he does learn it over time although, Nano Rimmer does seem to be a bit of step backwards from the Rimmer who sacrificed himself in series 6 and became Ace in series 7.

In series 10, it was good to see Rimmer save the day by thinking up a strategy that didn't involve sacrificing others as pawns - like in Meltdown.

#red dwarf #arnold rimmer

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horizon-verizon · 9 months ago

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TG be like “we don’t care about bloodlines, nobody won the war, but Aemond’s bastard founded House Whent, the Stark children are Aemond’s descendants via Catelyn’s mother, and Daenaera should be replaced by Jaehaera and become the Blackfyres’ ancestor.”

You don’t get to spew endless vitriol about children born outside of marriage and write how they shouldn’t have any rights, and then claim that Jaehaera should be Daemon Blackfyre’s grandmother.

You don’t get to say the most misogynistic, heinous and disgusting things about women having sex outside marriage and call them “sluts”, “whores”, “spoiled” and then claim that Jaehaera should be Elaena’s and Daena’s mother.

And imagine if Jaehaera was Daena’s mother, Daena must DEEPLY despise her if she admired Daemon and named her son after the man who traumatized her mother, ordered the murder of her twin brother, and drove Daena’s grandmother to madness & suicide. (To be clear, I FULLY support Blood & Cheese, they were just anti-monarchists working class men trying to feed their children #team smallfolk).

Absolutely yes to all of this. Unless it was dry sarcasm, I don't know about the very last sentence. Pretty sure it was, but just in case for others: Lower classed men don't have to sell out their morals or integrity by murdering under-10s (not that 10 and ups aren't kids but we should understand what I mean) and to feed their families. If they are at war, the same holds true that killing children is a heinous act.

Even if they are the psychologically degraded and fearful, Unsullied would never/most likely never choose to participate in much of the violence they have been forced into doing--while being dehumanized since literal childhood--such things if their very lives and body parts weren't on the line from the moment they were socially objectified through chattel slavery. The Unsullied are a part of a systematic institution of politics and official kidnappings of children for the express purpose of protecting slavers' interests and the slavers broke them down into being on their fear instinct for years, again, since childhood. They were forced to kill animals they raised themselves until they killed actual slave infants or be subjected to inhumane murders themselves.

Blood was a freaking goldcloak who beat a woman to death. Overall, Blood and Cheese were not chattel slaves. They were not under terrible duress to accept this mission, and they went out of their ways to become assassins. Essentially, they had some level of choice and they decided to use non-discriminating murder for hire as their profession, or make it a part of their "skill set".

Anyway, the double standards many in both the asoiaf and hotd fandoms towards some motivations of villains versus morally grey or morally positive characters is astounding. This series was made to be read by the American public, and I mean though I'm sure GRRM doesn't care if black/Hindi/trans people read and enjoy his books (might even be grateful for it for his liberal views) and like most places in the world where Europeans fucked people shit up to placed racial and EU class hierarchies/ideologies make for idiot bigots with strong double standards. and tbh, GRRM sorta still encourages it by giving up his material to incompetent, bigoted, condescending writers, not really going in through his story in a more feminist and anti-SA lens, AND not clearing shit up against racists, misogynists, etc strategically.

#asoiaf asks to me #blood and cheese #fire and blood #hotd fandom #fandom critical

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tqstorekw · 2 months ago

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Hindi Kahani Desi: A Treasure Trove of Indian Folk Tales

Introduction

In today’s fast-paced digital era, storytelling has managed to keep its charm alive, captivating audiences across generations. Among the various genres, Hindi kahaniyan (stories) hold a special place in the hearts of millions of Indians, serving as a link between the past and the present. Hindi Kahani Desi For those looking to immerse themselves in the vibrant world of traditional Indian tales, Hindi Kahani Desi is a platform that stands out as a digital treasure trove of classic and modern Hindi stories.

A Glimpse into Hindi Kahani Desi

Hindi Kahani Desi is a curated collection of Hindi stories that span a range of genres, including folklore, moral stories, mythological tales, and contemporary narratives. The platform is dedicated to preserving and promoting the art of Hindi storytelling by providing content that appeals to readers of all ages.

From tales of brave kings and mystical creatures to stories that impart valuable life lessons, Hindi Kahani Desi encompasses the rich diversity of Indian culture and traditions. Each story is crafted to not just entertain but also to inspire, educate, and evoke a sense of nostalgia for those familiar with Indian folklore.

Why Hindi Stories Matter

Stories have always been an integral part of Indian culture, passed down from generation to generation through oral tradition. Hindi stories, in particular, serve as a medium to introduce younger generations to the country’s rich linguistic and cultural heritage. They offer a window into the values, customs, and wisdom of our ancestors, making them invaluable for both children and adults alike.

The appeal of Hindi Kahani Desi lies in its ability to breathe new life into these classic narratives while also offering fresh content that resonates with contemporary audiences. By doing so, the platform ensures that the art of storytelling continues to thrive in a world that’s increasingly moving towards digital consumption.

A Platform for Every Story Lover

Hindi Kahani Desi caters to a diverse audience, ranging from young readers seeking bedtime stories to adults looking to relive the magic of their childhood. It features a variety of story types, such as:

Moral Stories: Short tales with a lesson, perfect for instilling values in children.

Folk Tales: Traditional narratives that reflect the cultural ethos of different regions of India.

Panchatantra Stories: Classic tales with animal characters that offer timeless wisdom.

Mythological Stories: Legends from Indian mythology, bringing gods and heroes to life.

Contemporary Stories: Modern narratives that address today’s social issues and inspire thought.

Accessibility and Convenience

One of the standout features of Hindi Kahani Desi is its user-friendly interface, making it easy for readers to browse and enjoy a wide range of stories. The stories are available in various formats, including text, audio, and even video adaptations, ensuring that there’s something for everyone. This multimedia approach helps bring the stories to life, making the experience more engaging and immersive.

The Future of Hindi Storytelling

Hindi Kahani Desi is more than just a repository of stories—it’s a movement to preserve and popularize Hindi literature in the digital age. As the platform continues to grow, it aims to foster a love for Hindi literature and keep the art of storytelling alive. Through collaborations with writers, educators, and digital creators, Hindi Kahani Desi envisions a future where these timeless stories reach a global audience.

Conclusion

In a world dominated by fast content consumption and fleeting trends, Hindi Kahani Desi serves as a beacon for those who wish to reconnect with the magic of Indian storytelling. Whether you’re a parent looking for stories to share with your children or an adult yearning to revisit the tales of your youth, Hindi Kahani Desi has something for everyone. Hindi Kahani Desi Dive into its world, and let the stories take you on a journey through the rich and vibrant tapestry of Indian folklore and literature.

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bhavanirao · 4 months ago

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#moral stories in hindi

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fefdytelugukidsrhymes · 5 months ago

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🌟 Today, we bring you the classic story of "Miles and Mom." This delightful tale teaches children the importance of Obedience and Trust Key Moral: Do not make decisions in anger. As a decision made in anger is a decision that is not well thought of. Perfect for: Bedtime stories Moral lessons Fun and engaging storytelling for kids #cartoon #animation #moralstories #trending About FEFDY Telugu: Welcome to _FEFDY_Telugu, your trusted educational service committed to delivering the right content and effective teaching methods to children. Whether online or offline, our comprehensive solutions are designed to provide high-quality education to students from any location, ensuring accessibility and equal opportunities for all. Our little ones learn the knowledge and skills they need to succeed in today's ever-changing world. We make the students future-ready. FEFDY curriculum offers meaningful education as a way of appreciating nature and understanding human values with game-based interactive education. Kids grasp quickly and learn efficiently! Telugu Kindergaten Ryhmes | మైల్స్ మరియు అమ్మ | Miles and Mom Hindi Story for Kids

#youtube #Telugurhymes kindergartenrhymes fefdytelugurhymes fefdykidstelugurhymes fefdyteluguchannel kidstelugu.

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tilbageidanmark · 5 months ago

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Movies I watched this week (#184):

A good woman is hard to find is a suspenseful Irish revenge-thriller. A beautiful, widowed mother of two small kids is struggling with the recent murder of her husband. Her transformation from a down-trotted, submissive woman into a fierce protector of her children is dark and emotionally-rewarding. 7/10.

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4 more with 💯 score on Rotten Tomatoes:

🍿 "Oh, fuck!..." said the groom when he unveiled the scarf from his new wife's head, to discover that it's another woman.

Laapataa Ladies is a gentle Hindi drama about 2 newly-wed brides who get mixed up on a busy Indian train, who end up with the wrong grooms. It's nice to watch a warm-hearted story that takes place in very primitive villages, with simple people, and a Happy End. The strong feminist message is delivered subtly and without fanfare. [*Female Director*]

🍿 The Lavender Hill Mob is a classic Ealing Studio comedy about a bank heist. Alec Guinness is a meek bank clerk who decides to rob his own bank. The best part: At 3:33 Audrey Hepburn makes a 10 second cameo as 'Chiquita'!

Nearly 40 years later, the same director would make 'A fish called Wanda'.

🍿 Concrete Utopia is a new Korean survival thriller about xenophobia which got great reviews, but I didn't like it at all. A grim dystopian parable about life after a massive earthquake which destroyed all of Seoul, except of one apartment building that remained standing. Societal morals break down when life and death are at stake, and they cause everybody to become selfish and cliquish.

🍿 Similarly, the only reason I picked up the Korean thriller The Call is because of its score on 'Rotten Tomatoes'. But the Science Fiction element of time travel through a telephone which was connected to the future was so lame, I got the urge to click it off within 5 minutes. In the end I stayed for 30 minutes, but regretted it.

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3 more by Luis Buñuel + 3 by Jean-Claude Carrière:

🍿 "Please, let your wife stay here for 2 extra minutes. I have to show her the Sursiks..." [But there were no 'Sursiks'...]

I've always loved Buñuel's last 3 films, maybe because they were so easy to watch. The fire and brimstone of his youth were distilled into accessible, vivid tableaux. The Discreet Charm of the Bourgeoisie, or "Six friends and the impossible dinner" is just delightful: You nearly feel sorry for these poor 1-procenters, who can't find a decent place to dine in. Their illogical dreams dredge out their childhood traumas, and there's no explanations to anything that happens.

It was the New 4K trailer which brought me back. Re-watch ♻️. Always 10/10.

Surprise Wikipedia gift to myself: After the international success of the movie, Buñuel and his producer traveled to the US in late 1972 to promote the film. While in Los Angeles, Buñuel, Carrière and Silberman were invited to a lunch party at Buñuel's old friend George Cukor, and the other guests included Alfred Hitchcock, Billy Wilder, George Stevens, Rouben Mamoulian, John Ford, William Wyler, Robert Mulligan and Robert Wise. (Resulting in a famous photograph of the directors together, all but an ailing Ford).

🍿 "For health, nothing beats donkey milk!"...

First watch: Los Olvidados ('The young and the damned'), his harsh and depressing Neo-realist Mexican drama from 1950. Hooligans and street urchins live a marginal life damned by poverty and hopelessness. A group of unfortunate juvenile delinquents try, and fail, to survive. (I didn't know that Buñuel studied hypnotism in his youth, but it makes sense).

🍿 My second expressionist silent film by Jean Epstein, my first adaptation of an Edgar Allen Poe, The Fall of the House of Usher (1928). It was written by Buñuel, his second movie after 'Un Chein Andalou', but he left the production after arguing with Epstein. Roger Ebert adored this film, but for me it was too experimental.

🍿 So this is a good time to remember the incredible talents of prolific screenwriter Jean-Claude Carrière. He's credited on IMDb with 158 terrific films, including masterpieces like 'Taking off', 'The tin drum', 'The swimming pool', and even Jonathan Glazer's 'Birth'.

He started his co-operation with Buñuel on 'Diary of a chambermaid', and for 19 years had co-written all of his later movies (with the exception of 'Tristana').

But Carrière was also the co-director of 3 short films, together with Pierre Étaix, 'the French Buster Keaton'. Happy Anniversary is a masterful comedic gem, about a husband hurrying around Paris, buying gifts and flowers for his wife, and trying to make it on time for the special dinner she prepared. It won the 1963 Oscar for 'Best Short Subject'. It's very reminiscent of Jacques Tati, and especially of 'Trafic'. And no wonder: Tati employed young Carrière to write novels based on his films! 9/10.

🍿 In Rapture (1961) Pierre Étaix receives a break-up letter from his girlfriend and tries to write back a response. Pure silence Keaton.

🍿 In the mysterious The nail clippers, Michael Lonsdale and his wife arrive at a luxurious hotel, and while settling in their room,he starts losing things, first his nail clippers, and then everything else.

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Amazing Belgian stop-motion animator Emma De Swaef X 2:

🍿 This Magnificent Cake! is an incredibly bizarre and unique piece of art. First of all, it's told with stop-motion animation using weird creatures made of felt. But the nightmares these disturbing characters share are absurd and very dark. Unexpectedly, it's a scathing indictment of colonialism, especially the Belgian adventures in Africa of the 19th century. Go in cold - You won't regret it. 9/10.

🍿 Her earlier story from 2013, Oh, Willy! was even stranger. The same type wooly characters, but in a nudist colony, dying and re-birthing, flying through space, and ending up breast-fed from a giant, hairy monster. Odd! [*Female Director*]

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2 by Danielle Krudy and Bridget Savage Cole:

🍿 Blow the Man Down is a different type of a dark thriller. Two young sisters in a small fishing town in Maine chop a guy up and struggle to cover it up. It has feminine sensitivities, sea shanties, Margo Martindale as an ambiguous Madame of the local whorehouse, and June Squibb as one of the old ladies who work behind the scenes to keep the town sane. 7/10.

🍿 In their earlier OowieWanna, a 7 year old girl with a birthmark on her arm, is doing the laundry with her uncle. With Karen Black. [*Female Directors*]

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4 more Israeli films:

🍿 White Eye - WOW! I never heard of, and didn't expect anything from this film, and I was shocked at how real and painful it quickly became! A simple heart-wrenching drama [shot in one continuing take] about a guy who finds a white bike that was stolen from him a month earlier. No spoilers: It must be experienced as is. Very Vittorio De Sica inspired. Best film of the week - 10/10!

This film was nominated for the Live short Oscar in 2021, but didn't win. It should have. (By now I've seen 4 of these 5 nominees, and they were all impressive: The Palestinian tragedy 'The present', also about a father and his daughter, 'The letter room' with Oscar Isaac, and the racial time-loop 'Two distant strangers'.)

🍿 Hole in the moon is a seminal Israeli film from 1965. It was the first avant-garde movie made in Hebrew and it ushered "The New Sensitivity", a cinematic movement of personal, artistic visions. Up to then, the Israeli film industry produced only compliant Zionist, nation-building products. But this script-less meandering film itself, a pastiche copy of French New Wave tricks and the worst from J-L Godard, was extremely pretentious, full of disjointed visuals, unconnected shots and indulgent nonsense. 2/10.

The director, Uri Zohar, was acclaimed like the Israeli Andy Warhol, and at the center of the Bohemian lifestyle in Tel-Aviv during the first decades of the state. Sadly, in the 70's he "found religion", turned his back on all liberal concepts, became a real-life ultra-orthodox Rabbi, fathered 7 children, and was entrenched in far-right Judaism up to his last days.

🍿 A Day in Degania (1937) is the first Israeli color film, a delightful documentary about life in Degania. Degania was the first Kibbutz, on the shores of the Sea of Galilee. It's a cheerful and innocent piece of early Zionist propaganda, when the term 'Colonists' to describe the farmers and settlers was not used in derogatory manner. It features a group of happy kindergarten kids, all running naked, and jumping into the water for a swim.

🍿 This is Sodom is a Biblical satire a-la-'Life of Brian' about Abraham's deal with a fast-talking God to save Lot and his wife. It was a huge commercial hit in 2010, being a typical low-brow 'Bourekas' movie, but mostly it was a terribly stupid farce. 1/10.

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The Stranger Left No Card is a strange British little horror tale about an eccentric person who arrives in a small town. He is dressed in spats, top hat and old-fashioned clothing, and the townspeople consider him half-wit. My first film by Wendy Toye. This copy was especially crisp. 7/10. [*Female Director*]

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Frankenweenie (1984) was the 11th and last of Tim Burton shorts before he moved on to feature films with 'Pee-wee's Big Adventure' and 'Beetlejuice' and 'Edward Scissorhands'. It was the original live-action, black & white homage to the old Frankenstein saga, which he later re-made into a stop-motion animation. Strong sense of 'olde-tyme' Pasadena streets of the late 50's, with palm-trees and lovely bungalows, and idealized family trops. 100% small time Disney.

RIP, Shelley Duvall!

(Also, this...)

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"The pellet with the poison is in the vessel with the pestle, the chalice from the palace has the brew that is true, right?"

Finding that clip, I realized that I've never seen any Danny Kaye movies. But Watching The Court Jester is perhaps enough Kaye. This 'Vessel with the pestle' is the best scene in a what is otherwise a lame spoof of the 1950's Faux Medieval Fascination. (They had a popular chain of fake restaurants, 'Medieval Times', where actor-knights would joust and sword-fight before your dinner. Also, Disney popularized the Arthur/Robin Hood concept.)

But the clip is also an obvious copy of Moses Supposes, and the milquetoast Kaye is a parody of Donald O'Connor - for kids. (It even works in German)...

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The Brilliant Biograph, Earliest Moving Images of Europe 1897-1902, is a fascinating compilation of hundreds of newly-restored, small documentary clips from 125 years ago. (Screenshot Above). Before the first automobiles, when you had to use horses and trams, boats and bicycles if you had to move around. 8/10.

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A bunch of shorts:

🍿 A portrait of Ga, my first by experimental Scottish poet Margaret Tait. A simple portrait of her mother. Just lovely. Charlotte Wells said that her 'Aftersun' was inspired by Tait's poetry. [*Female Director*]

🍿 And So We Put Goldfish in the Pool are four middle school Japanese girls who live in a dead-end small town and are afraid they will never be able to leave and live life. Shot in a vibrant, music video style, it captures their young angst as if they shot it themselves. 8/10.

🍿 Yes-People, an Icelandic film that was nominated for the 2021 Best Animated Short. The dialogue consisted of only one word...

🍿 In The Hat an exotic dancer remembers in graphic details how she was sexually-abused as a little girl by a man with a hat. Highly disturbing, it's animated in dark and powerful style. 8/10. [*Female Director*]

🍿 Tom Waits for no one is a creative rotoscoping of his burlesque riff 'The one that got away'. It won an Oscar for Scientific and Technical Achievement in 1979. (Via)

🍿 The Burden, a Swedish stop-animated musical, a sad existentialist dirge about animals night-working at a supermarket, boiler room and other dreary places. [*Female Director*]

🍿 Plucking Tangerines, (2021) a completely random pick about a young British woman remembering the time her girlfriend left her. I just didn't care for it. [*Female Director*]

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Another one I couldn't finish: Michael Showalter's Hello, my name is Doris. I tried it only because this was the comedy he made just before the terrific 'The big Sick'. But old lady Sally Field daydreaming about having sex with a young, hot guy was lame and unfunny.

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Bad Faith: Christian Nationalism's Unholy War on Democracy is the scariest horror film I've seen this year. A documentary about the hidden racism at the heart of "Christian Nationalism". (But there's no mention of Nancy Maclean's work). 7/10.

The filmmakers are going to find themselves in concentration camps within a couple of years. :(

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Throw-back to the Adora Art project:

Adora with Buñuel.

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(My complete movie list is here).

#movies #bfi london film festival #BFI #documentary

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